| I Like
to Tell Stories
Q&A with photographer Jonathan
Saunders |
| Ever
wonder who gets the killer job of globe-trotting and “shooting”
celebrities, models, & rock stars.
NYC-based photographer Jonathan Saunder's first-rate portfolio
includes a diverse cast of personalities including George
Carlin, Dewey
Redman, Don Imus, Bill
Gates, Chubby
Checkers, Michael
Bloomberg, and even Tommy
Conwell. “The more I
befriend someone as I photograph, the better. I want my subjects to
remember the entire process as positively as they can,” states Saunders.
Checkout Jonathan's blog, I
Like To Tell Stories. |
|
Photo by Jonathan Saunders |
| Tell
me your story photographing Tommy Conwell |
| I
photographed Tommy for the Philadelphia Magazine music issue. I also shot
Chubby Checker and Schoolly
D for the same issue. The idea the magazine had was to photograph
these |
| Any
funny celebrity stories? |
| I
photographed George
Carlin just a couple short years ago, so that one is on my mind
lately. I set up hours early and waited for him to arrive in the
hotel suite. I left the door closed before he arrived, I wanted to see
Carlin through the peephole. He was just like you would of expected, only
kinder and happier. He went into a rant about HAIR CARE products when I
asked him to take his hat off, that then descended into a wonderful moment
of both of us yelling the F bomb back and forth at each other till I blew
the circuits to that half of our hotel room. Thankfully, I had a second
shot ready to go, it was a better photograph anyway. I am so happy I blew
those circuits or the best image of the day never would have happened. |
|
Photo by Jonathan Saunders |
| How do
you try to "connect" with your subjects? |
| Connecting
is tricky, I usually get so little time. Thanks to Google, I just try and
read up and find out how as much as I can or find some detail I can relate
to so I discuss or talk to them on a more familiar level then two
strangers would. I think it helps as celebrity or not, people are people
and they will trust you or otherwise be more comfortable with you if you
connected about some detail in their life or shown a genuine interest
in what they do and why you are there to photograph them. The more you
befriend someone as you photograph, the better. I want my subjects to
remember the entire process as positively as they can. So really I just
try to be myself as much as I can, people can tell if you're up to
something odd or don't care, so no reason to not be yourself and have fun. |
| Any
advice for a career in photography? |
| Not to be
too jaded or anything, but if I had to do it again, I would find a job
that paid well so I could afford to do nothing but work on my own work in
my own time. I love being a photographer but it is a long, weird and
sometimes scary roller coaster. The best highs of my life and the worst
lows, all rolled into one. |
|
"Tommy used to work here (Ranch House in Delaware). Flipping burgers and scrambling eggs for the late-night crowd, he wrote songs like "Walkin' on the Water" in his spare time and daydreamed of what was to come. Like every young guitar slinger, Conwell dreamed of becoming a rock star, rich, respected, and cool. Not for a second did he imagine himself hanging out at the diner a dozen years later, a man who actually got everything he dreamed of and let it go...............It's well past 3am and the eggs and scrapple are long gone. Tommy goes dutch on the bill and rises to leave. A man whose fifteen minutes are up but whose coolness is genuine." Out & About Magazine 1997 |